Trifles Essay Thesis

Trifles Essay Thesis-19
Peters who are not really expected to contribute in any way to the investigation. Hale says that Minnie “used to sing real pretty herself.” More to the point, she says further that “she was kind of like a bird herself, real sweet and pretty, but kind of timid and- fluttery. Hale says; “Wright wouldn’t like the bird- a thing that sang. There are also other aspects of symbolism used in the play. It represents the little things that the women are worried about. Wright do not actually appear in the play but we learn about them from the other characters especially the two women when left on their own. We never get to meet Minnie Wright but the canary perfectly represents her life in this story. Hale says this of her before she was married – “She used to wear pretty clothes and be lively, when she was Minnie Foster, one of the town girls singing in the choir.” In comparison to the canary Mrs. Wright “killed” the lively spirit of Minnie Foster due to his mistreatment of her in the marriage.The use of different literary terms like setting, symbolism, and irony makes the story in a powerful, awesome way. The author does not use many words in a bid to tell everything.

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In addition, when the men observe the troublesome state of the kitchen, they immediately conclude that the woman must be at fault in her homemaking abilities because they all know John Wright as a good, dutiful man and in consequence form a unified front protecting John Wright's reputation. According to one definition, domesticity is the ability to keep a home in the purely physical sense, with a clean kitchen and well-sewn quilts.

In her final moments prior to the murder of her husband, Minnie Wright rebels against these standards of domestic prowess because in her eyes, her husband has failed to meet the second definition of domesticity, which depends upon one's ability to make a home warm and comforting emotionally.

Except for the absent Minnie Wright, the women have no first name and take their husband's last names, despite being the protagonists of the story instead of the named male characters. When Henderson observes the Wright kitchen, he concludes that Mrs. Her countering of his statement with the suggestion that Mr.

This institutionalized male superiority is so pervasive that the men feel comfortable in disparaging Mrs. Hale's interest in "trifles," with the clear implication that the women are too flighty and small-minded to worry about important issues such as the investigation at hand. Wright must not have "the homemaking instinct," which Mrs. Wright did not have the homemaking instinct establishes two alternate interpretations of the meaning of domesticity.

The author has used the element of setting to cover time, location and events surrounding the murder.

The setting here not only supports the main background of the story but also justifies the props used in the play.

, Henderson and the other men make a key mistake in their assumption that the women derive their identity solely from their relationship to men, the dominant gender. Peters that because she is married to the sheriff, she is married to the law and therefore is a reliable follower of the law. Peters' response is "Not--just that way," suggesting that over the course of the play, she has rediscovered a different aspect of her identity that ties more closely to her experience as a woman than to her marriage to Henry Peters. Hale concludes, women "all go through the same things--it's all just a different kind of the same thing." For Mrs.

Hale, Minnie Wright's murder of her husband is the ultimate rejection of her husband's imposed identity in favor of the memory of the person Minnie Foster used to be.

The play was written in 1916 at a time when women had started questioning the traditional roles thrust upon them by a highly patriarchic society.

Their roles were more or less that of homemakers and even most issues touching directly on their welfare were decided by men.

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