After hearing that her friend’s father “was in the Savak” and that he “killed a million people,” (Santrapi 44) Marji wants to teach her supposed friend Ramin “a good lesson.” (Satrapi 45)In fig.
After hearing that her friend’s father “was in the Savak” and that he “killed a million people,” (Santrapi 44) Marji wants to teach her supposed friend Ramin “a good lesson.” (Satrapi 45)In fig.7 Marji and her peers put nails between their fingers with the intention of attacking a petrified Ramin, who hides behind a tree.Tags: How To Write A Psychology PaperProfessional Writing Services UkScholarship Essay For Mechanical EngineeringTwelfth Night Comedy Essay QuestionsAssignable ContractEssay About Soccer And American FootballWar Of Independence Ireland Essay
Here Marji is figuratively torn between what she was brought up to know and what she is curious to know — the world she was brought up in is depicted with images of working cogs, hammer and ruler to represent logic and reason, not associated with the veil.
The other half depicts a world of fundamental Islam — Marji is shrouded by the veil as well as Islamic art of all things, to represent the fact that her notion of traditional Islamic faith is visual, not factual.
Satrapi uses this veil to symbolize her transitions in her , from her state of conformity, to her metaphorical unveiling of the truth behind the Islamic regime and ultimately her complete rebellion that leads to her eventual freedom.
We are immediately confronted by Satrapi’s conformity to the veil at the start of Persepolis.
3 deeply symbolizes Marji’s perception of the veil.
The four women to the left of the panel are heavily shrouded in the black veil, both physically and metaphorically, with their eyes tightly shut.
The Islamic Revolution in 1979 overturned a progressively Westernized Iran into a country deeply rooted in archaic and patriarchal ideologies, where it became obligatory for all women to wear the veil.
Over time the wearing of the veil, enforced through Islamic Shi’a tradition, has either been embraced or met with reservation by women.
When Marji is told of her communist grandfather’s imprisonment, she is disheartened to hear that he was brutally tortured for holding beliefs that differed from the Shah’s. 5 we see Marji’s mother sadly concluding that her grandfather was in pain all of his life.
The fact that visually almost half of her face is shaded black signifies how the regime has caused her to lose faith, hope and ultimately innocence.