Rear Window Essay Conclusion

Rear Window Essay Conclusion-76
The importance of marriage is also evident in the lives of Jeff’s neighbours; Miss Torso’s “juggling [of the] wolves”, and Miss Lonelyheart’s depression both reflect this idea.

The importance of marriage is also evident in the lives of Jeff’s neighbours; Miss Torso’s “juggling [of the] wolves”, and Miss Lonelyheart’s depression both reflect this idea.

Part 1 - Rear Window study guide Part 2 - Rear Window Film Techniques (video)Part 3 - Rear Window Essay Prompt Breakdown (video)‍When most people think of Hitchcock, it’s the screeching violins from is a slightly subtler film which focuses not on a murderer at large, but rather a crippled photographer who never even leaves his apartment. Their contributions ultimately allow the mystery to be solved.

Intertwined with this mystery is also the rather complex story of Jeff and Lisa’s relationship.

Hitchcock ultimately resolves both of these storylines in the film’s denouement.

Before getting into the nitty-gritty of the film, it is crucial to understand a bit about its historical context.

Lighting is one such cue that he uses a lot—it is said that at certain points in filming, he had used every single light owned by the studio in which this film was shot.

In this film, lighting is used to reveal things: when the lights are on in any given apartment, Jeff is able to peer inside and watch through the window (almost resembling a little TV screen; Jeff is also able to channel surf through the various apartments—Hitchcock uses panning to show this).

Their contrasting lifestyles and world views present a major obstacle in the fulfilment of their romance, and the murder mystery both distracts and unites them.

Hitchcock further alludes to the question of whether marriage will be able to settle those differences after all—a major example is the following scene, in which Lisa not only reveals her discovery of Mrs Thorwald’s ring, but also expresses a desire for Jeff to ‘put a ring on it’ as well: are important ways of shaping our understanding of the film, and Hitchcock uses a wide array of visual cues to communicate certain messages.

It was an aspiration which everyone was expected to have, and this is reflected statistically—only 9.3% of homes then had single occupants (as opposed to around 25% today).

People also tended to marry at a younger age, generally in their early 20s.

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