Essays On Medea

Essays On Medea-83
Euripides, Seneca, Corneille, Delacroix, Anouilh, Pasolini, Maria Callas, Martha Graham, Samuel Barber, and Diana Rigg are among the many who have given Medea life on stage, film, and c From the dawn of European literature, the figure of Medea--best known as the helpmate of Jason and murderer of her own children--has inspired artists in all fields throughout all centuries.Euripides, Seneca, Corneille, Delacroix, Anouilh, Pasolini, Maria Callas, Martha Graham, Samuel Barber, and Diana Rigg are among the many who have given Medea life on stage, film, and canvas, through music and dance, from ancient Greek drama to Broadway.

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Her every impulse is essentially, in some way, understandable yet the degree to which she takes vengeance suddenly defies the imagination. My favorite part of the book was hearing how the chorus, as a side commentator of sorts, lets the reader in on the different layers of events, thoughts and feelings in the story.

Aristotle criticized Medea for its two illogical plot elements, the random appearance of Aegeus and Medea's escape in the chariot provided by the Sun-god.

is one of the most often read, studied and performed of all Greek tragedies.

A searingly cruel story of a woman's brutal revenge on a husband who has rejected her for a younger and richer bride, it is unusual among Greek dramas for its acute portrayal of female psychology. Yet, the play is very much a product of the political and social world of fifth century Athens and an understanding of its original context, as well as a consideration of the responses of later ages, is crucial to appreciating this work and its legacy.

Unlike most mythic figures, whose attributes remain constant throughout mythology, Medea is continually changing in the wide variety of stories that circulated during antiquity.

She appears as enchantress, helper- maiden, infanticide, fratricide, kidnapper, founder of cities, and foreigner. Nussbaum, Christiane Sourvinou-Inwood, and Marianne Mc Donald.At times a little too heavy on academic lingo or overly feminist theory but if you're a fan of Medea (and what self-respecting woman isn't) try out some of the essays.Something about the character of Medea taps into a woman's primal instincts and memories of romantic heartbreak.Euripides has been credited with bringing elements of both realism and melodrama into the art of ancient tragedy (see context). How are life and death figured as extensions of exile?The gods are invoked sparingly in Medea, yet the chorus concludes the play by saying Zeus brings things to "surprising ends" and makes the unexpected possible (lines 14-15, 1419).Euripides’s "Medea" was created in a period of Peloponesian War.Each war, regardless of the century it occurred, not only destroyed and killed but also caused the reappraisal of the values in the society.The essays are accompanied by David Stuttard's English translation of the play, which is performer-friendly, accessible yet accurate and closely faithful to the original.From the dawn of European literature, the figure of Medea--best known as the helpmate of Jason and murderer of her own children--has inspired artists in all fields throughout all centuries.It is full of rather academic but very interesting essays so I only read it when I'm in the mood.Update: SO I haven't read them all yet, but there is some great work in here.

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