Decreation Poetry Essays Opera Anne Carson

Decreation Poetry Essays Opera Anne Carson-31
Canadian venues were considerably less welcoming, and it was not until Carson was forty-two that a small Canadian pub- lisher, Brick Books, published her first book of poems, both in 2002.

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I felt like a ship going toward the South Pole and then all of a sudden a glacier comes zooming out of the dark, and I just took it down. It’s true, that’s why I go to boxing class, to learn those skills.

I appreciate that it’s accurate of what I both have and choose to have as my effect on people. INTERVIEWER You once said you meant in a metaphysical sense. But that’s just, of course, shadowboxing, as they say.

Carson was born on June 21, 1950, in Toronto, the second and final child of Margaret and Robert Carson.

Her mother was a housewife; her father worked for the Toronto Dominion Bank.

Eliot Prize for Poetrythe first woman to do so; the Griffin Poetry Prize; and the Los Angeles Times Book Prize.

In her first collection in five years, Anne Carson contemplates “decreation”–an activity described by Simone Weil as “undoing the creature in us”–an undoing of self.

Her work is insistent and groundbreaking, a blend of genres and styles that for years failed to attract notice.

In the late eighties, a few literary magazines in the United States began to publish her work.

The undoing is tender, but tenderness can change everything, or so the author appears to believe.

Carson here presents a hybrid collection of works she labels "poetry, essays, and opera" in poetic form and language.

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